background foto: Donna Maya
logo signature: Sunmoonstar
visuals: Optic Veil
NaFTftEoT | Nightmares & Fairy Tales for the End of Times
video art | live performances |music
& limited edition double vinyl release
23.-26.09.2021 20:30 - ca. 22:45
Uferstudio 1, Badstr. 41a
13357 Berlin / Wedding
U8 Pankstraße, U9 Osloer Strasse, U9 Nauener Platz, S-Bahn Gesundbrunnen
14 interdisciplinary artists collaborated in this dystopian-utopian project together exploring times & spaces with sounds, visuals, bodies, colors, looping, morphing, changing in physical & digital visual & sound choreographies.
4 places in a multi-dimensional space, where different vibrating beings' dynamic artworks connected to the past and the future, dystopian and utopian visions, and material of different colours and shapes meet through oscillations of sound and light to create unique moments for the ones who are there to perceive those sensations, ready for shared experiences and individual traces in each ones memory to unfold to stories any kind - to be told and shared in their own rhythms...
Please comply to the distance, mask and hygiene regulations:
Telefon: +49 (0)30 / 460 60 887
free entrance | donations for the artists are very welcome
Programme starts 20:30 each day (until around 22:45)
These performances are supported by Uferstudios Berlin.
The music and idea for the project was supported by Kulturprojekte Berlin | Senatsverwaltung für Kultur und Europa.
LE double vinyl release supportet by Presswerk München.
Introducing the NaFTftEoT artists of the Berlin events (2021):
Nightmares & Fairy Tales
For The End Of Times
Album by Mila Chiral
Coverdesign: Yagner Anderson
Nightmares & Fairy Tales For The End Of Times
Beginning with an ending...
The album NIGHTMARES & FAIRY TALES FOR THE END OF TIMES follows a journey through inner and outer spaces in a post-apocalyptic world.
/ Resisting prescriptive story-telling MILA CHIRAL invites all listeners to envision innumerable tales by following the undertones comprised of past and future. Pure energy leads to prospective actions and an unwillingness to be understood by the sophisticated mind.
/ Accidental encounters and archetypical narratives are caught in the moment and questioned immediately through utopian and dystopian reflections.
/ Existential depths in the unforeseeable back and forth backwaters attempt to catch, with traumatic intensity, a way to cope - a way to belong, again, where ever it might be possible.
/ Non-linear pathways, loops through circuitous patterns in pursuit of unknown territory between life and death exploring history and drafted future possibilities.
/ Ending with an open question, which might be another beginning.
/ The underlying oscillations through times are only visible from far away.
The album NaFTftEoT is connected to a video project with videos by the following digital visual & dance / performance artists , which will be presented following the release:
onetwothreesun, Aiko Okamoto, A-li-ce, Annelie Andre, ann_on_loops, BeBab, cojasch, Eugenia Seriakov, Yagner Anderson, Kalma, Paloma Schnitzer, Scylla Magda, Verena Sepp *to find out more click artist name
in collaboration with the *feminist Video Art and VJ collective http://trialandtheresa.de
Press kit here
NaFTftEoT | video project in progress...
... strongly resisting pigeon-holing while busy to bridge gaps...
Mila Chiral is a Berlin-based dancer-choreographer, electronic musician and DJ, who works in composing sounds and poetry as well as bodies and movements in time and space.
Her new album NaFTftEoT |NIGHTMARES AND FAIRY-TAILES FOR THE END OF TIMES will be self-released in June 2021 along with a connected collective video project. It follows Mila Chiral's artistic direction by questioning the duality of time & space of her first album WHERE TIME MEETS SPACE (April 2017, Elestial Sound).
Educated in dance and classical music since childhood, the influences of her youth include classical music as well as minimal music, new and dark wave, new romantics, NDW and the music of Prince and his collaborators.
Following the rise of electronic music in the early 90s, she started collaborating with (electronic) musicians for her choreographies. She made her first steps into electronic music production in 1995 with the project BrainScan, together with Bernhard Bockelbrink.
Her works of art are colorful, multi-layered and four-dimensional. In fact, her artist name refers to chirality — the quality of an object that makes it impossible to be superimposed over its own reflection.
Mila Chiral’s expressive and intense genre-fluid technoid electronic music resists pidgeon-holing by crossing electronic music genres and questioning rules. It spans from the deepest abysses to enthusiast rave energy with ironic undertones from time to time. While some of the tracks open wide spaces filled with moving and morphing sounds to be drawn in, others call bodies to move immediately with stampeding techno-beats, uplifting rhythms or grounding grooves and colorful sound spaces - acidic reminiscences, glittering accents. Mostly staying in the technoid structure of an ongoing meter, they vividly break the mathematical proportions in small details with analogue quality. The multi-layered harmonies evolve polyphonically with melodic motives that reach down to the bass frequencies in the kick drums and (sub-)bass.
In that sense, her musical compositions might be seen as chiral to her choreographic approach as four-dimensional sound choreographies.
Because the physical experience of dancing for hours underpins her music, her DJing consists of multiple layers, long transitions and ongoing flow. Harmonic and rhythmical breaks also characterize her work, weaving her music further with the interplay of bodies in an extended collective movement.
The early rave utopian philosophy of love, peace, unity & respect (including diversity) - with its cultural, social and political impact underlies her artistic activities and projects. This includes critical thinking and reflections on dystopian-utopian dialectics and narratives in a complex world with interdisciplinary academic education and professional experience - these themes echo within the heartbeats of her music.
Mila Chiral was part of minutektiv, a group of music producers from Berlin. They published and performed their Minutes Collections from time to time - collections of one minute long tracks, each produced in an hour or less following a collective guideline until 2018.
Mila Chiral is also one of the organizers of MEETUP Berlin, a community of female-identifying, trans and non-binary artists in the fields of electronic music and arts. She is also a member of female:pressure.